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Snow: A Mini-series (continued)
Norman Carton’s Winter Light, 1956, has a slight shimmer, reflective of the seasonal light of winter. Though this painting is from a bit later, in the late 1940s, Carton often painted cities shrouded in light, giving them a spectral, supernatural appearance.
IMAGE: Norman Carton (American, 1908–1980). Winter Light, 1956. Oil on canvas, 49 x 34 inches (124.5 x 86.4 cm). Collection Albright-Knox Art Gallery. Gift of The Seymour H. Knox Foundation, Inc., 1975.

Snow: A Mini-series (continued)

Norman Carton’s Winter Light, 1956, has a slight shimmer, reflective of the seasonal light of winter. Though this painting is from a bit later, in the late 1940s, Carton often painted cities shrouded in light, giving them a spectral, supernatural appearance.

IMAGE: Norman Carton (American, 1908–1980). Winter Light, 1956. Oil on canvas, 49 x 34 inches (124.5 x 86.4 cm). Collection Albright-Knox Art Gallery. Gift of The Seymour H. Knox Foundation, Inc., 1975.

Photo
Snow: A Mini-series
Emile Pierre Branchard’s stark snowy landscape Winter, 1928, was acquired in 1939 from the Gallery’s inaugural Room of Contemporary Art exhibition. Branchard was self-taught and only began painting seriously when he was about 30.
IMAGE: Emile Pierre Branchard (American, 1881–1938). Winter, 1928. Oil on canvas, 36 x 48 inches (91.4 x 121.9 cm). Collection Albright-Knox Art Gallery. Room of Contemporary Art Fund, 1939.

Snow: A Mini-series

Emile Pierre Branchard’s stark snowy landscape Winter, 1928, was acquired in 1939 from the Gallery’s inaugural Room of Contemporary Art exhibition. Branchard was self-taught and only began painting seriously when he was about 30.

IMAGE: Emile Pierre Branchard (American, 1881–1938). Winter, 1928. Oil on canvas, 36 x 48 inches (91.4 x 121.9 cm). Collection Albright-Knox Art Gallery. Room of Contemporary Art Fund, 1939.