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In that enchanted place at the top of the forest …

This week we continue to bring you behind-the-scenes insight into Kelly Richardson’s work in conjunction with the exhibition Kelly Richardson: Legion, on view through June 9.

In Twilight Avenger, 2008, viewers initially find themselves staring at what appears to be a nighttime scene of a forest. However, this tranquil setting is interrupted when a seemingly radioactive green stag meanders into the frame and pauses to nose around. By introducing incongruous imagery to a classic Romantic landscape reminiscent of forest fables and fairy tales, Richardson has created a scene that is more science-fiction film than Aesop’s Fables, cleverly challenging our preconceived notions of what is real in both nature and art.

The high technical level Richardson achieved in this work is nothing less than astonishing; it is especially evident when the reality of its creation is explored against the seamless experience the viewer has when encountering the work. Richardson actually filmed the components for Twilight Avenger in several settings across three continents, later combining the footage during the editing process. The stag was filmed in Jedburgh, Scotland; the background was filmed in Kielder, England; and the massive tree that holds the foreground was filmed in Algonquin Park, Canada. Richardson was kind enough to share images of each setting with us, which we are sharing here with you—a bit of a spoiler, we know, but sometimes it’s fun to peel back the layers of a work to its naissance.

Next up: Is there anything certain in Uncertain?

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2013 Future Curators Spotlight
Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them. 
Stephen Matthew:Jim Hodges’s look and see, 2005
My favorite work of art is look and see by Jim Hodges. This is a great work because it is a sculpture, but it is referred to as a painting. Jim Hodges wanted to make something monumental and he sure did! I love this work because of the shape.
This is our last 2013 Future Curators spotlight. The team’s exhibition, In: Introspection, Interaction, opens tonight at 5 pm. Learn More about the Exhibition Opening
The Future Curators program is part of AK Teens, which is presented by First Niagara.
Image © 2005 Jim Hodges

2013 Future Curators Spotlight

Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them. 

Stephen Matthew:
Jim Hodges’s look and see, 2005

My favorite work of art is look and see by Jim Hodges. This is a great work because it is a sculpture, but it is referred to as a painting. Jim Hodges wanted to make something monumental and he sure did! I love this work because of the shape.

This is our last 2013 Future Curators spotlight. The team’s exhibition, In: Introspection, Interaction, opens tonight at 5 pm. Learn More about the Exhibition Opening

The Future Curators program is part of AK Teens, which is presented by First Niagara.

Image © 2005 Jim Hodges

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Andy Goldsworthy, a Mini-series: Ephemeral Work
Today we continue our mini-series about Andy Goldsworthy’s works, leading up to his visit and talk on May 15.
During the artist’s July 2012 visit to the Albright-Knox, when he created one of the Rain Shadows pictured in a previous post, he also created and photographed this ephemeral work on the Delaware Stairs, exemplifying the beautiful simplicity of many of his works.
Join us for a rare opportunity to hear Goldsworthy talk about his work on Wednesday, May 15, at 7:30 pm. Tickets are $10 for Members, $20 for non-members, and $15 for students and seniors. Learn More and Buy Tickets
Image © Andy Goldsworthy

Andy Goldsworthy, a Mini-series: Ephemeral Work

Today we continue our mini-series about Andy Goldsworthy’s works, leading up to his visit and talk on May 15.

During the artist’s July 2012 visit to the Albright-Knox, when he created one of the Rain Shadows pictured in a previous post, he also created and photographed this ephemeral work on the Delaware Stairs, exemplifying the beautiful simplicity of many of his works.

Join us for a rare opportunity to hear Goldsworthy talk about his work on Wednesday, May 15, at 7:30 pm. Tickets are $10 for Members, $20 for non-members, and $15 for students and seniors. Learn More and Buy Tickets

Image © Andy Goldsworthy

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2013 Future Curators Spotlight
Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.
Joshua Fraass:Claude Monet’s Chemin de halage à Argenteuil (Tow-Path at Argenteuil), ca. 1875
This work inspires me through the process used to create it. I like how through Impressionism and Claude Monet’s work I can see every stroke the artist used to capture what the painting is about. The nature captured in this painting makes me want to look outside into the world around me and really appreciate it. Nature is the main inspiration for me and I like to see other artists capturing nature and all of its beauty.
The Future Curators program is part of AK Teens, which is presented by First Niagara.

2013 Future Curators Spotlight

Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.

Joshua Fraass:
Claude Monet’s Chemin de halage à Argenteuil (Tow-Path at Argenteuil), ca. 1875

This work inspires me through the process used to create it. I like how through Impressionism and Claude Monet’s work I can see every stroke the artist used to capture what the painting is about. The nature captured in this painting makes me want to look outside into the world around me and really appreciate it. Nature is the main inspiration for me and I like to see other artists capturing nature and all of its beauty.

The Future Curators program is part of AK Teens, which is presented by First Niagara.

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2013 Future Curators Spotlight
Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.
Kendall Appelbaum:Rineke Dijkstra’s Coney Island, N.Y., USA, June 20, 1993, 1993; printed 1998
My chosen work of inspiration from the Collection would have to be Rineke Dijkstra’s Coney Island, N.Y., USA, June 20, 1993. Dijkstra has always been a favorite photographer of mine, and we have studied some of her work in school. I love her work because she has such a simple way of capturing a photo and it is always so fresh and crisp. She also focuses on the awkwardness of, mainly, teens and young adults, which has always been something I am extremely fascinated in and tend to portray through my own work.
The Future Curators program is part of AK Teens, which is presented by First Niagara.
Image courtesy the artist and Marian Goodman Gallery, New York.

2013 Future Curators Spotlight

Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.

Kendall Appelbaum:
Rineke Dijkstra’s Coney Island, N.Y., USA, June 20, 1993, 1993; printed 1998

My chosen work of inspiration from the Collection would have to be Rineke Dijkstra’s Coney Island, N.Y., USA, June 20, 1993. Dijkstra has always been a favorite photographer of mine, and we have studied some of her work in school. I love her work because she has such a simple way of capturing a photo and it is always so fresh and crisp. She also focuses on the awkwardness of, mainly, teens and young adults, which has always been something I am extremely fascinated in and tend to portray through my own work.

The Future Curators program is part of AK Teens, which is presented by First Niagara.

Image courtesy the artist and Marian Goodman Gallery, New York.

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Andy Goldsworthy, a Mini-series: Rain Shadows

On the heels of last week’s post about needing your participation to help complete Andy Goldsworthy’s Path, we are kicking off a mini-series about the artist’s works, leading up to his visit and talk on May 15.

When Goldsworthy comes to the Albright-Knox, he often creates works on the Gallery’s grounds. Due to the transitory nature of his practice, these creations don’t stick around for long, but, lucky for you, we have pictures.

On June 2, 2010, when the artist was in town to work on a project for Beyond/In Western New York 2010, he created one of his famous Rain Shadows at the bottom of the Delaware Stairs. Two years later, he created another Rain Shadow just outside the Elmwood Avenue entrance. Both are pictured above.

Join us for a rare opportunity to hear Goldsworthy talk about his work on Wednesday, May 15, at 7:30 pm. Tickets are $10 for Members, $20 for non-members, and $15 for students and seniors. Learn More and Buy Tickets

Images © Andy Goldsworthy

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Book AK—Lives of the ArtistsSpotlight on Cindy Sherman
Cindy Sherman’s art typically involves photographing herself in a variety of costumes and portraying numerous different characters. She draws influence from sources as varied as classic films, European portrait paintings, and fashion. One such series involves Sherman assuming the role of screen idols, including Marilyn Monroe, as in the Albright-Knox’s Untitled (Marilyn), 1982 (above). Sherman tries hard to ensure that the viewer does not see a depiction of the artist, but only the character she is embodying. 
Learn more about Sherman and nine other leading contemporary artists by reading Lives of the Artists, the second Book AK selection. Book AK is a museum-hosted book club that provides an opportunity to explore the lives of artists and learn more about art- and museum-related topics. The Book AK discussion for Lives of the Artists will take place on Saturday, June 8, 2013, from 10:15 to 11:30 am. Learn More and Register
IMAGE: Courtesy the artist and Metro Pictures

Book AK—Lives of the Artists
Spotlight on Cindy Sherman

Cindy Sherman’s art typically involves photographing herself in a variety of costumes and portraying numerous different characters. She draws influence from sources as varied as classic films, European portrait paintings, and fashion. One such series involves Sherman assuming the role of screen idols, including Marilyn Monroe, as in the Albright-Knox’s Untitled (Marilyn), 1982 (above). Sherman tries hard to ensure that the viewer does not see a depiction of the artist, but only the character she is embodying. 

Learn more about Sherman and nine other leading contemporary artists by reading Lives of the Artists, the second Book AK selection. Book AK is a museum-hosted book club that provides an opportunity to explore the lives of artists and learn more about art- and museum-related topics. The Book AK discussion for Lives of the Artists will take place on Saturday, June 8, 2013, from 10:15 to 11:30 am. Learn More and Register

IMAGE: Courtesy the artist and Metro Pictures

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2013 Future Curators Spotlight

Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.

Morgan McCutcheon:
František Kupka’s Traits, plans, profondeur, ca. 1920–22

This piece of artwork inspires me because I believe it represents elegance and serenity. It is a beautiful piece of artwork and it makes me want to spend all my time creating a work of art as beautiful as this.

The Future Curators program is part of AK Teens, which is presented by First Niagara.

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Book AK—Lives of the ArtistsSpotlight on Matthew Barney
Matthew Barney often creates works that combine elements of sculpture, photography, drawing, film, and installation. The five photographs in Barney’s Cremaster Suite, 1994–2002, depict characters from the artist’s “Cremaster Cycle,” a series of five films. Three of the photographs are of the three male characters—Gary Gilmore, the Entered Apprentice, and the Loughton Candidate—played by the artist himself. The other two photographs are of the films’ female characters: the Queen of Chain, played by the legendary film actress Ursula Andress, and Goodyear, played by the porn star Marti Domination. While overtly sexual in nature, the works are imbued with multiple layers of meaning, making complete interpretation impossible.
Learn more about Matthew Barney and nine other leading contemporary artists by reading Lives of the Artists, the second Book AK selection. The Book AK discussion for Lives of the Artists will take place on Saturday, June 8, 2013, from10:15 to 11:30 am. Learn More and Register

Book AK—Lives of the Artists
Spotlight on Matthew Barney

Matthew Barney often creates works that combine elements of sculpture, photography, drawing, film, and installation. The five photographs in Barney’s Cremaster Suite, 1994–2002, depict characters from the artist’s “Cremaster Cycle,” a series of five films. Three of the photographs are of the three male characters—Gary Gilmore, the Entered Apprentice, and the Loughton Candidate—played by the artist himself. The other two photographs are of the films’ female characters: the Queen of Chain, played by the legendary film actress Ursula Andress, and Goodyear, played by the porn star Marti Domination. While overtly sexual in nature, the works are imbued with multiple layers of meaning, making complete interpretation impossible.

Learn more about Matthew Barney and nine other leading contemporary artists by reading Lives of the Artists, the second Book AK selection. The Book AK discussion for Lives of the Artists will take place on Saturday, June 8, 2013, from10:15 to 11:30 am. Learn More and Register

Photo
2013 Future Curators Spotlight
Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.
Brodie McPherson:Mark Rothko’s Orange and Yellow, 1956
This painting by Mark Rothko is one of the most visually inspiring works I have experienced. The coloring is simple, but it is this simplicity that makes it so beautiful. The way the yellow square on the top almost seems to vibrate with intensity adds a truly unique aspect. Another reason this painting inspires me is the vague nature of its intent. It gives a different experience to each person, and I find that truly amazing.
The Future Curators program is part of AK Teens, which is presented by First Niagara.
Image © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York

2013 Future Curators Spotlight

Get to know the Albright-Knox’s 2013 Future Curators through the works in the Gallery’s Collection that inspire them.

Brodie McPherson:
Mark Rothko’s Orange and Yellow, 1956

This painting by Mark Rothko is one of the most visually inspiring works I have experienced. The coloring is simple, but it is this simplicity that makes it so beautiful. The way the yellow square on the top almost seems to vibrate with intensity adds a truly unique aspect. Another reason this painting inspires me is the vague nature of its intent. It gives a different experience to each person, and I find that truly amazing.

The Future Curators program is part of AK Teens, which is presented by First Niagara.

Image © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York